The Wonder Years re-release The Upsides with four new tracks
Many times switching labels involves a jump to what many call a ‘major’ and the re-release of an album to a much larger audience, this is not the case with The Wonder Years.
Many times switching labels involves a jump to what many call a ‘major’ and the re-release of an album to a much larger audience, this is not the case with The Wonder Years.
[imgfull] [/imgfull] Today’s episode of First Person comes from some plane-spiration. While on the way home from England, Josh hatched an idea to share some 90s homecoming dance music. So yeah, artists like MC Hammer, Biz Markie, and Salt n Pepa. It’s gonna be a good one, just be sure to have your dancing shoes ready.
It was a sad day in 2007 when Rufio decided to call it quits.
New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,†have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.
California’s kings of summery rock anthems have released their third album just in time to beat the inevitable heat, and with Eureka the band have once again proven their ability to craft a timeless record collection of fun-in-the-sun jams.
The band mostly known for a cover of Lil Wayne’s “Lollipop†has released its sophomore album, and unfortunately the original tunes fall a little short.
These are some dark times… at least they are when Josh dives into the world of goth.
It was bold and aptly titled. And it established Go Radio as one of the giants of Fearless Records.
All 29 minutes and eight songs of the Neon Trees’ debut mix up the decades, combining for a fast-paced dance party reminiscent of The Strokes and Depeche Mode.
This past December witnessed more than snow and sleighs when We the Kings re-emerged with Smile Kid.