In her latest album Wheel, Laura Stevenson contends with the confusing and contradictory cycle that is life. Through artfully-composed folk songs, rife with prose and interwoven with irony, Stevenson captures the mystifying enigmas that plague us all.
Lines We Trace, the second album from Seattle natives Hey Marseilles, is a go-to for fans of folk, classical, and melodic pop alike.
Indie rock has been growing exponentially popular in the mainstream, and newcomers Atlas Genius are sure to make their mark in the scene with When It Was Now. With smooth vocals, lush synths, and vivid guitars, this album is perfect for long drives or relaxing with your friends.
In a world bursting at the seams with cookie-cutter music acts, twenty | one | pilots have managed to craft a truly unique record, brazenly blending a plethora of genres and pushing the envelope on what constitutes pop music.
Hailing from Newport News, VA, Holly Would… are a breakout pop rock band with a southern rock flair that’s way too easy to fall for. Just a few months after signing with One Day Savior Recordings, the band have debuted a full-length album that establishes them as a versatile group of musicians that can write a song for just about anybody.
With his debut LP It’s Not An Excuse, It’s A Reason, Marcio Novelli proves that great music isn’t written with intentions to impress the masses, but as a personal anecdote by the musician. Recorded in just two weeks and produced by Jim Wirt (Incubus, Jack’s Mannequin), Novelli’s debut is a revival of simple pop rock with meaning, the kind that has been fading out since 2005.
After a tumultuous time in the life of Love, Robot, the quartet has come out with Rebuild | Rebirth. The album is dripping attitude and energy, letting listeners feel the band’s trials and tribulations through every song. This album opens the door for the audiences to see into the world of Love, Robot.
Although their new EP Brand New Life only has three songs, Life After Liftoff have a sound as big as the town they’re from. The four-piece from Dayton, Ohio try to use their cheerful sound to spread a positive message to the adolescents their music is aimed at.
With a debut release that plays like the musical lovechild of Copeland, This Day And Age, and Daphne Loves Derby, Author are perfect for both the nostalgic older crowd and a new generation of listeners who missed out on those bands’ golden years.
It has been over three years since The All-American Rejects’ less-than-stellar release of When The World Comes Down, and they’ve finally offered fans a sign of redemption. An outstanding blend of traditional Rejects alternative style with a touch of experimental flair, Kids in the Street is bound to be a hit among new and old fans alike.
