Four-piece Ohio natives Mixtapes channel an old school, timeless pop punk feeling that makes one nostalgic for the early punk scene, riddled with introspective lyrics and power chord-driven guitars.
On their appropriately titled debut LP, Youth, Citizen unsurprisingly addresses coming-of-age angst – typical fodder for most young, earnest pop punk bands – yet somehow they accomplish it without sounding stale or cliche.
Waiting For The Dawn can go one of two ways: shuffled in with your summer CD collection to be blasted while driving down the highway, or excavated for a vastly deeper meaning. The album is conscientious in its commentary; always offering nuggets of wisdom and fresh ways to revamp your worldview for the brighter.
With their third effort J.A.C.K., Forever The Sickest Kids do away with their slew of co-writers and producers, yet the end product, while fun and enjoyable, seems to lack much direction.
Real Friends are one of those bands who, although their musical repertoire is far from extensive, have yet to put out a bad song. Their latest EP Put Yourself Back Together is no exception – but there’s no sign of the band pushing their limits or trying something new.
With Feel, Sleeping With Sirens achieve every band’s goal: releasing a new album that offers something fresh while still retaining the sound their fans fell in love with. Whether your preference is angst-driven metal or poignant pop, this album is sure to leave you feeling something.
There’s familiar, comfortable classic rock, and then there’s edgy and energetic Bree, who brings a sharp feminine twist to the tried and true style of rock and roll. She sings with confidence and attitude, and adds an element of fierceness as bright as her red lipstick and flying V guitar.
After the success of their debut full-length last year, Misser have established themselves as an important component of the rising indie pop punk scene. The Distancing EP offers yet another couple songs for fans to sink their teeth into, as well as coming off as another collection of stories that the band needed to get off their chest.
The newest release from Captain, We’re Sinking is a collection of desperate, too-close-for-comfort stories that are driven by unexpected instrumental complexities, troubled vocals, and pure punk grit.
The range present in Man Overboard’s third full-length Heart Attack epitomizes the fluidity of the term “pop punk,†making the album a must-have for anyone that considers themselves a fan of the genre.
