Many times switching labels involves a jump to what many call a ‘major’ and the re-release of an album to a much larger audience, this is not the case with The Wonder Years.
If you are ready to drink and dance and enjoy some good new-fashioned rock and roll, then give The New Bedfords a listen.
Occasionally, when a musician and his former band part ways, it can be detrimental; but in some cases it can cause three like souls to find one another and create something that has been burning within them all this time.
After removing four songs from a potential full-length album, Hey Monday has decided on releasing Beneath It All as an EP.
John Vesely, the man behind the ballads of Secondhand Serenade, returns as the same emotive musician with the album Hear Me Now.
It was a sad day in 2007 when Rufio decided to call it quits.
New Jersey pop-punk outfit Man Overboard released an album Tuesday that every pop punk band will be trying to duplicate in the future.
New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,†have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.
California’s kings of summery rock anthems have released their third album just in time to beat the inevitable heat, and with Eureka the band have once again proven their ability to craft a timeless record collection of fun-in-the-sun jams.
Let’s toast to acceptance: the fifth, final and most rewarding phase of the universally accepted five stages of grief, through which Hawthorne Heights returns with its most melodious work, Skeletons.
