Longtime Lostprophets fans won’t be disappointed by their latest effort – it takes the best elements of the rest of their discography and combines them into one. Drawing influences from metal, punk, pop, and rock, there’s something on this album for everyone.
Independent and driven by the help of their fans, The Spill Canvas use their newfound freedom to explore their sound. Gestalt is a seamless record that hasn’t left a musical stone unturned.
With the release of their much-anticipated debut EP Navigate, Toronto newcomers Crystalyne have proven that they are a band to be on the lookout for. Having just wrapped up a three month tour visiting over sixty high schools in Canada in support of the release, they’re showing no signs of slowing down, ready to capture audiences everywhere with their pop rock sound.
Neon Trees’ sophomore album Picture Show serves up a slice of the ’80s with smooth synth-pop sound accenting its foundation of rock’n’roll.
Jason Mraz’s latest effort is another wonderful addition to his discography, perfect for those cloudless summer days when nothing can go wrong.
Daytrader have hit it out of the park with Twelve Years, their emotionally driven debut full-length on Rise Records.
With a debut release that plays like the musical lovechild of Copeland, This Day And Age, and Daphne Loves Derby, Author are perfect for both the nostalgic older crowd and a new generation of listeners who missed out on those bands’ golden years.
As a listener, if you’re expecting the same thing on I See Stars’ new album Digital Renegade as you heard on The End Of The World Party, you have another thing coming.
Seven years after the band released its last full length, these Kansas City emo darlings are back with There Are Rules.
Many times switching labels involves a jump to what many call a ‘major’ and the re-release of an album to a much larger audience, this is not the case with The Wonder Years.
