Forever Halloween digs deep to unearth some serious human truths – and sounds appropriately mature doing so. The album boasts worldliness in comparison to The Maine’s earlier catalogue, and it’s evident from the authenticity of the collection how effectively the members have channeled their experience of growing up into their work.
The newest release from Captain, We’re Sinking is a collection of desperate, too-close-for-comfort stories that are driven by unexpected instrumental complexities, troubled vocals, and pure punk grit.
Koji’s first full-length release delves deep into the artist’s mind to explore the everlasting journey toward solace and acceptance. As a collection of art, it is supremely relatable by serving as a case study of the universal human experience.
After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
Los Angeles rockers Stars in Stereo are making their debut this year with a self-titled album ridden with strong rock anthems.
On their debut full-length, Turnover have turned down the rough pop punk elements of their early material, relying on melodic riffs, subtle hooks, and poignant lyrics to explore its dark themes.
The Summer Set are back and better than ever with their third full-length Legendary.
Whether listeners vibe with the turn that A Rocket To The Moon have taken towards a pop impression on light country or prefer their youthful musings without a side of the South, the old sweetness of the band still sits evident just below the surface.
As their comeback album, Save Rock and Roll is probably one of the most important albums in Fall Out Boy’s career. They have evolved into a slick, complex powerhouse of a band, and they prove it by unleashing all their talent on this new album.
The latest recruits to Equal Vision Records, Northern Faces recently released their debut EP Southern Places, a strong effort consisting of five self-produced tunes that spotlight the band’s indie rock roots while pulling elements from noise, experimental, and even blues rock.
