Indie rock has been growing exponentially popular in the mainstream, and newcomers Atlas Genius are sure to make their mark in the scene with When It Was Now. With smooth vocals, lush synths, and vivid guitars, this album is perfect for long drives or relaxing with your friends.
Matt Pond’s first official solo release The Lives Inside The Lines In Your Hands brings a lighthearted and soft-rock/alternative feel to the generally optimistic lyrics. The album is good overall, but the listener is left feeling unsatisfied with overly simple melodies and lackluster lyrics.
In a world where many criticize modern music for being overly artificial, Diamond Youth brings something genuine and refreshing to the table with their latest EP release.
The latest from Broadway Calls is yet another victory for a hard-working, do-it-yourself band who refuse to ever give up.
In a world bursting at the seams with cookie-cutter music acts, twenty | one | pilots have managed to craft a truly unique record, brazenly blending a plethora of genres and pushing the envelope on what constitutes pop music.
Slingshot Dakota pack an impressive punch considering the band consists of just two members: Carly Comando covering vocals and keyboards and Tom Patterson on percussion. The duo’s most recent release, Dark Hearts, transitions between plaintive songs that hang in the air residually like life’s difficult questions and fiercer, more gritty anthems enveloping Comando’s clear voice.
Colourmeinkindness is a force to be reckoned with. Working with producer Sam Pura (The Story So Far, The Limousines), Basement have given it their all in what will be their last effort before going on hiatus.
Cinematics, the debut full-length from Tampa-based theatrical pop rockers Set It Off, may be one of the most diverse albums of the year. Having wanted to go for a more orchestral feel, listeners can expect a dramatic sound filled with perfected musical craftsmanship in each track.
With his debut LP It’s Not An Excuse, It’s A Reason, Marcio Novelli proves that great music isn’t written with intentions to impress the masses, but as a personal anecdote by the musician. Recorded in just two weeks and produced by Jim Wirt (Incubus, Jack’s Mannequin), Novelli’s debut is a revival of simple pop rock with meaning, the kind that has been fading out since 2005.
The first challenge of properly absorbing Benjamin Gibbard’s first solo album Former Lives: separating the Death Cab For Cutie and Postal Service versions of Gibbard from the solo one. The new album is more gritty and acoustic than his former beloved gentle indie catalogue, true, but Former Lives needs to be experienced in its own right without any shackles of the past.
