With Challenges, Farewell Fighter have easily picked up where they left off with their last EP and set out to make a better, stronger, and more complete set of tracks – which they have undoubtedly accomplished.
Although the songs within the album lack some musical distinction from one another, The SpacePimps’ third studio release covers a lot of ground. Whether you’re in the mood for some emotional and hard-hitting lyrics, moshing and singing along to some quality pop-punk, or a bit of nostalgia, you’ll definitely find something to love about this album.
Although You’re Always On My Mind marks the second full-length release for A Great Big Pile Of Leaves, it’s the band’s first album with an outside producer (Ed Ackerson) and the musical advances shine through. The album feels like the first time you surpass the “small talk†level with someone and realize that they’re holding plenty of mixed feelings about this whole life thing within themselves, too.
On their appropriately titled debut LP, Youth, Citizen unsurprisingly addresses coming-of-age angst – typical fodder for most young, earnest pop punk bands – yet somehow they accomplish it without sounding stale or cliche.
Satori is an epic of an album spanning the depths of human emotion. The lyrics are compelling, the melodies are complex but catchy, and the musicianship displays pure talent throughout.
With their third effort J.A.C.K., Forever The Sickest Kids do away with their slew of co-writers and producers, yet the end product, while fun and enjoyable, seems to lack much direction.
Liferuiner have decided to abandon their ties with old tracks like “A Ticket To The Pussy Crusher†and are trying to write honest, optimistic, and influential songs using key ingredients of melodic metalcore and straightedge hardcore: detuned guitars, predictable breakdowns, and lyrics pertaining to life’s inevitable struggles, hardships, and misery.
Forever Halloween digs deep to unearth some serious human truths – and sounds appropriately mature doing so. The album boasts worldliness in comparison to The Maine’s earlier catalogue, and it’s evident from the authenticity of the collection how effectively the members have channeled their experience of growing up into their work.
The newest release from Captain, We’re Sinking is a collection of desperate, too-close-for-comfort stories that are driven by unexpected instrumental complexities, troubled vocals, and pure punk grit.
Koji’s first full-length release delves deep into the artist’s mind to explore the everlasting journey toward solace and acceptance. As a collection of art, it is supremely relatable by serving as a case study of the universal human experience.
