Love You In The Dark, the first solo effort of Now, Now’s Brad Hale, slides seamlessly from repetitively somber to ecstatic within the span of a few songs and explores all manners of human strength and weakness. It manages to find the gaps in the armor of humankind in the most delicate way possible, which is often a considerable feat for seemingly innocuous pop or electronic music.
Although the songs within the album lack some musical distinction from one another, The SpacePimps’ third studio release covers a lot of ground. Whether you’re in the mood for some emotional and hard-hitting lyrics, moshing and singing along to some quality pop-punk, or a bit of nostalgia, you’ll definitely find something to love about this album.
Despite some minor mishaps, both Matt Vincent and Alex Correia hold their own with their earnest, genuine delivery of emotionally riveting music, stripping their musicianship to its bare bones to display their talent in its purest form.
Although You’re Always On My Mind marks the second full-length release for A Great Big Pile Of Leaves, it’s the band’s first album with an outside producer (Ed Ackerson) and the musical advances shine through. The album feels like the first time you surpass the “small talk†level with someone and realize that they’re holding plenty of mixed feelings about this whole life thing within themselves, too.
Real Friends are one of those bands who, although their musical repertoire is far from extensive, have yet to put out a bad song. Their latest EP Put Yourself Back Together is no exception – but there’s no sign of the band pushing their limits or trying something new.
With Feel, Sleeping With Sirens achieve every band’s goal: releasing a new album that offers something fresh while still retaining the sound their fans fell in love with. Whether your preference is angst-driven metal or poignant pop, this album is sure to leave you feeling something.
Forever Halloween digs deep to unearth some serious human truths – and sounds appropriately mature doing so. The album boasts worldliness in comparison to The Maine’s earlier catalogue, and it’s evident from the authenticity of the collection how effectively the members have channeled their experience of growing up into their work.
Koji’s first full-length release delves deep into the artist’s mind to explore the everlasting journey toward solace and acceptance. As a collection of art, it is supremely relatable by serving as a case study of the universal human experience.
On their debut full-length, Turnover have turned down the rough pop punk elements of their early material, relying on melodic riffs, subtle hooks, and poignant lyrics to explore its dark themes.
In her latest album Wheel, Laura Stevenson contends with the confusing and contradictory cycle that is life. Through artfully-composed folk songs, rife with prose and interwoven with irony, Stevenson captures the mystifying enigmas that plague us all.
