Good Charlotte return to form, perfect craft with 5th release
If it’s still cool to like Good Charlotte, allow yourself to fall in love with this band all over again.
If it’s still cool to like Good Charlotte, allow yourself to fall in love with this band all over again.
New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,†have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.
California’s kings of summery rock anthems have released their third album just in time to beat the inevitable heat, and with Eureka the band have once again proven their ability to craft a timeless record collection of fun-in-the-sun jams.
The band mostly known for a cover of Lil Wayne’s “Lollipop†has released its sophomore album, and unfortunately the original tunes fall a little short.
It was bold and aptly titled. And it established Go Radio as one of the giants of Fearless Records.
Get ready for the most melancholy trip to Urban Outfitters ever.
Living Like Ghosts has made a big but potentially necessary move in its hunt for rock stardom: the jettisoning of two members, including a third guitarist, from its lineup. It would be hard for any band to justify a six-string attack, and the now four-piece group from Detroit is free to roam the country in a much roomier tour van and spread its shiny pop rock tunes to audiences near and far.
The idea of a collaboration between The Shins frontman James Mercer and DJ Danger Mouse seemed a bit absurd at first.
This past December witnessed more than snow and sleighs when We the Kings re-emerged with Smile Kid.
Get out your flat iron, your headband and your neon t-shirt, it’s time to party — Texas power-pop style.