With ten songs packed with heart and aggression, the band strays from the laidback pop of their previous albums in favor of a more heavy-yet-melodic sound to get the message across on Golden Record.
Although the songs within the album lack some musical distinction from one another, The SpacePimps’ third studio release covers a lot of ground. Whether you’re in the mood for some emotional and hard-hitting lyrics, moshing and singing along to some quality pop-punk, or a bit of nostalgia, you’ll definitely find something to love about this album.
Although You’re Always On My Mind marks the second full-length release for A Great Big Pile Of Leaves, it’s the band’s first album with an outside producer (Ed Ackerson) and the musical advances shine through. The album feels like the first time you surpass the “small talk†level with someone and realize that they’re holding plenty of mixed feelings about this whole life thing within themselves, too.
Four-piece Ohio natives Mixtapes channel an old school, timeless pop punk feeling that makes one nostalgic for the early punk scene, riddled with introspective lyrics and power chord-driven guitars.
One listen to Driver Friendly’s latest EP, Peaks + Valleys, and you’ll know why the band is gaining momentum like they are. The six songs on the EP are short and sweet, but are chock full of energy, passion, and a whole lot of fun.
On their appropriately titled debut LP, Youth, Citizen unsurprisingly addresses coming-of-age angst – typical fodder for most young, earnest pop punk bands – yet somehow they accomplish it without sounding stale or cliche.
With their third effort J.A.C.K., Forever The Sickest Kids do away with their slew of co-writers and producers, yet the end product, while fun and enjoyable, seems to lack much direction.
Disclaimer: Whenever, If Ever is a love/hate record. If you “get it,†you will be completely floored by its use of vast atmospheric textures and timbres, as well as its nostalgia factor. If you don’t, it will be a whiny, fragmented, enigmatic record that will be a struggle to listen to.
After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
The Wonder Years’ third full-length The Greatest Generation proves once and for all that the band’s significance goes far beyond their infectious sound and tattoo-ready lyrics. The third in a trilogy, the album is made up of thirteen of the strongest and most meaningful songs the band has ever written, cementing them as one of the most important acts of this decade.
