The Wonder Years are releasing their highly-anticipated third full-length The Greatest Generation next week, and we’re stoked to be bringing you an exclusive in-depth interview with the whole band about the album and everything that went into it.
On their debut full-length, Turnover have turned down the rough pop punk elements of their early material, relying on melodic riffs, subtle hooks, and poignant lyrics to explore its dark themes.
In her latest album Wheel, Laura Stevenson contends with the confusing and contradictory cycle that is life. Through artfully-composed folk songs, rife with prose and interwoven with irony, Stevenson captures the mystifying enigmas that plague us all.
Whether listeners vibe with the turn that A Rocket To The Moon have taken towards a pop impression on light country or prefer their youthful musings without a side of the South, the old sweetness of the band still sits evident just below the surface.
Say What You Mean, the sophomore album from Brooklyn’s Allison Weiss, is sure to resonate with practically everyone with its relatable lyrics and folksy vocals.
Conditions push undeniably forward with Full Of War, providing both a fully energetic and more melodic sound as well as the contemplative lyrics that fans have come to expect.
After shocking fans and supporters when his one-month long IndieGoGo campaign raised over $50,000, Mae’s former frontman Dave Elkins has independently released his first album Color (n.) Inside The Lines under the name Schematic. The album shows a musical side of Elkins that fans have yet to see, and while his creative ambition is admirable, one can only hope that his experimentation won’t backfire and leave fans confused about where his music is going.
Bleach Blonde’s self-titled first release is a 3-track EP that packs a punch in a short amount of time.
The release of Trees Above Mandalay’s newest EP Growing Pains will make listeners anxious to see the band blossom to their fullest potential, providing a well-rounded and overall entertaining overview of the band’s style, talent, and energy.
Matt Pond’s first official solo release The Lives Inside The Lines In Your Hands brings a lighthearted and soft-rock/alternative feel to the generally optimistic lyrics. The album is good overall, but the listener is left feeling unsatisfied with overly simple melodies and lackluster lyrics.
