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City Lights – Acoustic EP: Album Review
With a couple hits and misses, the Acoustic EP effectively reveals another dimension in City Lights’ sound.
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With a couple hits and misses, the Acoustic EP effectively reveals another dimension in City Lights’ sound.
In a world where many criticize modern music for being overly artificial, Diamond Youth brings something genuine and refreshing to the table with their latest EP release.
Artist vs Poet’s latest effort Keep Your Secrets is a light pop album that perhaps should have been released in early May, as it is ideal summertime music.
Lost in a never-ending cacophony of American-inspired guitar squeals, hammering drum beats, and amped-up vocals, the third release from the Swedish-based Her Bright Skies is an angsty young adult power piece whose volume is fit for an arena but whose calamitous structure and predictable composition should be left in the garage.
For most artists, it may be challenging to recreate their favorite songs, but Young Statues have released a solid cover record that reflects their own originality and maintains the integrity of the artists that inspire them the most.
Slingshot Dakota pack an impressive punch considering the band consists of just two members: Carly Comando covering vocals and keyboards and Tom Patterson on percussion. The duo’s most recent release, Dark Hearts, transitions between plaintive songs that hang in the air residually like life’s difficult questions and fiercer, more gritty anthems enveloping Comando’s clear voice.
At a time when many bands would rather stick to trends than take a risk, Peace’d Out shine as something fresh that hopefully won’t be another one-and-done side project. The members take elements from each of their respective bands and put a collective spin on things, creating a sound all their own.
Colourmeinkindness is a force to be reckoned with. Working with producer Sam Pura (The Story So Far, The Limousines), Basement have given it their all in what will be their last effort before going on hiatus.
Texas In July have taken the best parts of One Reality and stepped their game up. With a song for every shade of hardcore, Texas In July show that they can adapt their music from one album to the next and still crush it.
Bad Books’ appropriately-named II is a collection of songs with great variety yet a common, wistful edge which ultimately creates a cohesive and earnest album. The ten tracks share a lulling musicality which allows the listener to lose themselves in the layers of tender vocals and smooth instrumentation.
