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Sirs – Sirs: Album Review
Mixing straight up punk with atmospheric and melodic elements, Sirs have created a combination of sound that is raw and memorable with their self-titled debut.
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Mixing straight up punk with atmospheric and melodic elements, Sirs have created a combination of sound that is raw and memorable with their self-titled debut.
Filled with personality and tongue-in-cheek lyrics, Collide With The Sky brings Pierce The Veil to an impressive new level.
A significant improvement on their debut release, Broadway’s latest effort Gentlemen’s Brawl is packed with contagious energy and an addictive sound that is bound to distinguish them in today’s music scene.
Although their new EP Brand New Life only has three songs, Life After Liftoff have a sound as big as the town they’re from. The four-piece from Dayton, Ohio try to use their cheerful sound to spread a positive message to the adolescents their music is aimed at.
The Season, the debut full-length from Charleston, SC’s All Get Out, is a record dripping with honesty from every pore. Released at the end of last year on Favorite Gentleman Records, The Season seems like something that would fit in very well with the likes of Manchester Orchestra, O’Brother, or Kevin Devine.
The Audition make a strong statement with their latest release, Chapter II, letting the world know with or without a record label, they are a force to be reckoned with.
Even though No Devolucion starts off with the urgency that we have come to know from Thursday over the past 13 years, it is quickly apparent that this album is much different.
It is rare for a family to produce one golden voice, let alone two. Yet, we have been fortunate enough for the Matos brothers to realize that they have voices that are perfect to complement one another in a pop rock band.
Not very often does an album or band hit you like a tornado upon first listen, and End Measured Mile by Make Do and Mend does just that.
New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,†have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.
