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The Broderick – Self-Titled: Album Review


From the very beginning strains of the first song on The Broderick’s self-titled LP, the album’s compelling nature is apparent. The skillful lyricism combined with its simmering emotions make for a cohesive twelve-track set that never lacks enough differentiation to keep the entire album feeling fresh.

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Such Gold – Misadventures: Album Review


Such Gold’s debut full-length Misadventures takes the problems everyone can relate to and turns them into gut-twisting melodic hardcore songs. Known for their catchy EP’s, this time around the band has dropped the sing-a-long choruses and traded them in for a more complex sound with the help of producer Steve Evetts (Lifetime, Saves The Day, Every Time I Die).

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All Get Out – The Season: Album Review


The Season, the debut full-length from Charleston, SC’s All Get Out, is a record dripping with honesty from every pore. Released at the end of last year on Favorite Gentleman Records, The Season seems like something that would fit in very well with the likes of Manchester Orchestra, O’Brother, or Kevin Devine.

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Thursday perfects its sound on sixth album


Even though No Devolucion starts off with the urgency that we have come to know from Thursday over the past 13 years, it is quickly apparent that this album is much different.

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