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Album Review: Itch – The Deep End
The Deep End feels like an amalgamation of every current trend in pop and electronic music, but while the album is no doubt entertaining, it leaves you unsure of Itch’s intentions.
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The Deep End feels like an amalgamation of every current trend in pop and electronic music, but while the album is no doubt entertaining, it leaves you unsure of Itch’s intentions.
With Dan Rose (Daybreaker) and Kevin Geyer (The Story So Far) at the helm, Heavy Head is an enormously impressive debut album of smart, catchy indie rock.
Take one part Vampire Weekend, two parts The Bravery, a dash of The 1975, finish with a spritz of Two Door Cinema Club and you’ve got yourself SoCal rock band Bad Suns’ debut EP, Transpose.
Panic! At The Disco have undergone drastic changes with every album, resulting in a distinctively different sound on each album – some will enjoy the change and musical exploration, others will frown upon yet another departure from the band’s roots.
Packed with colossal hooks and melodies, State Champs’ debut album The Finer Things stands out as one of the best pop punk releases this year and raises the bar sky high for the genre.
Into It. Over It.’s sophomore album Intersections still contains his signature vivid guitars and genius lyricism, but ditches the more straightforward pop melodies for something rawer yet more complex. Evan Weiss returns to the roots of Into It. Over It.’s original recordings while also exploring new directions in his music, achieving two goals where artists normally strive for one.
With their self-titled album, The 1975 have crafted an incredible debut that will without a doubt go down as one of the best of the year.
Disillusion is one of the most versatile records of 2013. O’Brother blend a multitude of genres and experiment with creative instrumentals and arrangements to artfully execute their self-defining sophomore record.
Forever Halloween digs deep to unearth some serious human truths – and sounds appropriately mature doing so. The album boasts worldliness in comparison to The Maine’s earlier catalogue, and it’s evident from the authenticity of the collection how effectively the members have channeled their experience of growing up into their work.
After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
