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Sombear – Love You In The Dark: Album Review


Love You In The Dark, the first solo effort of Now, Now’s Brad Hale, slides seamlessly from repetitively somber to ecstatic within the span of a few songs and explores all manners of human strength and weakness. It manages to find the gaps in the armor of humankind in the most delicate way possible, which is often a considerable feat for seemingly innocuous pop or electronic music.

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A Great Big Pile Of Leaves – You’re Always On My Mind: Album Review


Although You’re Always On My Mind marks the second full-length release for A Great Big Pile Of Leaves, it’s the band’s first album with an outside producer (Ed Ackerson) and the musical advances shine through. The album feels like the first time you surpass the “small talk” level with someone and realize that they’re holding plenty of mixed feelings about this whole life thing within themselves, too.

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Benjamin Gibbard – Former Lives: Album Review


The first challenge of properly absorbing Benjamin Gibbard’s first solo album Former Lives: separating the Death Cab For Cutie and Postal Service versions of Gibbard from the solo one. The new album is more gritty and acoustic than his former beloved gentle indie catalogue, true, but Former Lives needs to be experienced in its own right without any shackles of the past.

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Emmure – Slave to the Game: Album Review


Emmure have a certain sound that they’ve developed over the years, and their latest album Slave to the Game fits perfectly into the mold they have created for themselves. Thick with video game references and infused with the members’ own personalities, the album is everything an Emmure fan would expect it to be.

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Rooney’s Eureka feel-good summer hits


California’s kings of summery rock anthems have released their third album just in time to beat the inevitable heat, and with Eureka the band have once again proven their ability to craft a timeless record collection of fun-in-the-sun jams.

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