Hailing from Newport News, VA, Holly Would… are a breakout pop rock band with a southern rock flair that’s way too easy to fall for. Just a few months after signing with One Day Savior Recordings, the band have debuted a full-length album that establishes them as a versatile group of musicians that can write a song for just about anybody.
Colourmeinkindness is a force to be reckoned with. Working with producer Sam Pura (The Story So Far, The Limousines), Basement have given it their all in what will be their last effort before going on hiatus.
Bad Books’ appropriately-named II is a collection of songs with great variety yet a common, wistful edge which ultimately creates a cohesive and earnest album. The ten tracks share a lulling musicality which allows the listener to lose themselves in the layers of tender vocals and smooth instrumentation.
The first challenge of properly absorbing Benjamin Gibbard’s first solo album Former Lives: separating the Death Cab For Cutie and Postal Service versions of Gibbard from the solo one. The new album is more gritty and acoustic than his former beloved gentle indie catalogue, true, but Former Lives needs to be experienced in its own right without any shackles of the past.
Cone, the accomplished bassist of Sum 41, brings his wealth of experience to the airwaves with “Cone’s Cave.” As Sum 41 prepares to conclude their remarkable journey as a band, Cone’s new radio show promises to be a testament to the band’s legacy and an exciting new venture for their dedicated fanbase.
Full of anger and personal regrets, Handguns use their debut full-length to get everything off their chests. With creative punk thrills and pop punk driven chord progressions, Angst is sure to make pop punk fans everywhere happy.
After a tumultuous time in the life of Love, Robot, the quartet has come out with Rebuild | Rebirth. The album is dripping attitude and energy, letting listeners feel the band’s trials and tribulations through every song. This album opens the door for the audiences to see into the world of Love, Robot.
With a take-no-prisoners sound, Obey The Brave have unleashed their debut album Young Blood. The album has a solid level of energy throughout every song and won’t let listeners sit down for a minute.
For their second studio album Floral Green, Title Fight stuck to what they do best – doing whatever they very well please. Produced by Will Yip (Citizen, None More Black), the album is pristine yet raw and shows an originality many bands today lack.
The Classic Crime’s independently-released Phoenix embodies melodic rock intensity with its driving beats and epic build-ups, but also manages to tone down the energy at key points to flavor the album with softer emotion precisely when required.
