Liferuiner have decided to abandon their ties with old tracks like “A Ticket To The Pussy Crusher†and are trying to write honest, optimistic, and influential songs using key ingredients of melodic metalcore and straightedge hardcore: detuned guitars, predictable breakdowns, and lyrics pertaining to life’s inevitable struggles, hardships, and misery.
There’s familiar, comfortable classic rock, and then there’s edgy and energetic Bree, who brings a sharp feminine twist to the tried and true style of rock and roll. She sings with confidence and attitude, and adds an element of fierceness as bright as her red lipstick and flying V guitar.
Forever Halloween digs deep to unearth some serious human truths – and sounds appropriately mature doing so. The album boasts worldliness in comparison to The Maine’s earlier catalogue, and it’s evident from the authenticity of the collection how effectively the members have channeled their experience of growing up into their work.
After the success of their debut full-length last year, Misser have established themselves as an important component of the rising indie pop punk scene. The Distancing EP offers yet another couple songs for fans to sink their teeth into, as well as coming off as another collection of stories that the band needed to get off their chest.
The newest release from Captain, We’re Sinking is a collection of desperate, too-close-for-comfort stories that are driven by unexpected instrumental complexities, troubled vocals, and pure punk grit.
With classic-sounding guitar, easygoing vocals and lyrics, and undeniably catchy melodies, Abandon Kansas’s A Midwest Summer easily attracts any straightforward rock palate while embodying the feel of the vibrant and hot summers inherent to the Midwest United States.
The range present in Man Overboard’s third full-length Heart Attack epitomizes the fluidity of the term “pop punk,†making the album a must-have for anyone that considers themselves a fan of the genre.
Koji’s first full-length release delves deep into the artist’s mind to explore the everlasting journey toward solace and acceptance. As a collection of art, it is supremely relatable by serving as a case study of the universal human experience.
After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
The Wonder Years’ third full-length The Greatest Generation proves once and for all that the band’s significance goes far beyond their infectious sound and tattoo-ready lyrics. The third in a trilogy, the album is made up of thirteen of the strongest and most meaningful songs the band has ever written, cementing them as one of the most important acts of this decade.
