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Daylight – Jar: Album Review
After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
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After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
As their comeback album, Save Rock and Roll is probably one of the most important albums in Fall Out Boy’s career. They have evolved into a slick, complex powerhouse of a band, and they prove it by unleashing all their talent on this new album.
Blink-182 have proven through their latest EP that, while they may not be as angsty or unruly as they were a decade ago, they are still the same musicians, simply growing up and moving forward with their sound.
Lost in a never-ending cacophony of American-inspired guitar squeals, hammering drum beats, and amped-up vocals, the third release from the Swedish-based Her Bright Skies is an angsty young adult power piece whose volume is fit for an arena but whose calamitous structure and predictable composition should be left in the garage.
Hailing from Washington DC, young indie rockers The Baby Grand are set to fill a void in the scene. Their latest release, Renaissance, offers a refreshing dose of lighthearted energy with its clean vocals and warm guitar melodies.
Séb Lefebvre (Simple Plan) and Canadian TV personality Patrick Langlois talk about life, love, family, music, and tell their wildest stories too.
It is rare for a family to produce one golden voice, let alone two. Yet, we have been fortunate enough for the Matos brothers to realize that they have voices that are perfect to complement one another in a pop rock band.
John Vesely, the man behind the ballads of Secondhand Serenade, returns as the same emotive musician with the album Hear Me Now.
New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,†have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.
