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Interviews

Q&A: Soletta


Winding down their current tour, bass player Joe Robinson from the Pennsylvania band Soletta sat down with idobi Radio to talk about their debut EP; The Road Back Home, as well as their future plans.

Interviews

Catching Up With The Dangerous Summer


Coming hot off of a tour-filled summer, idobi Radio caught up with The Dangerous Summer on a rainy day in a college town amongst the cornfields of Iowa.

Interviews

The Great Valley discusses new album, plans


After a hectic summer, The Great Valley released its free acoustic EP, Stripped, through AOL Radio Aug. 10. Recently idobi had the chance to ask this literal band of brothers some questions about its new EP, summer activities and future plans.

Concert Reviews

Local Natives hits the bar, then raises it again


It began with a benign four-minute ferry ride through calm waters to a little-trafficked landmass in the Upper New York Bay, but Saturday night at The Beach on Governors Island proved to be anything but gentle.

Bitch Slap Radio

Dont Give a Fuck Thursday BITCH! Live Tonight!


The hello Bitch Slap Fans, This is the last dont give a fuck thursday for a week! Next Thursday the Bitch Slap Crew will be in vegas! So wont be on! However we will return the week after next week! On the show tonight, we talk about sex in random places… At a party, on your parents couch! Then on the show, we bring back real men of genius on this Bitch Slap Radio! We salute you MR. Im too high to get the remote off the table to change the channel! Then on the show tonight, in Bitch Had… Read more »

News

Vampire Weekend looking to resolve Contra lawsuit


Last week, Ann Kirsten Kennis – the cover star of Vampire Weekend’s Contra album – filed suit against the band in Los Angeles Superior Court, alleging that her signature was forged on photographer Tod Brody’s photographic release.

News

New Politics delivers a mediocre first attempt


New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,” have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.

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