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Peace’d Out – Self-Titled: Album Review


At a time when many bands would rather stick to trends than take a risk, Peace’d Out shine as something fresh that hopefully won’t be another one-and-done side project. The members take elements from each of their respective bands and put a collective spin on things, creating a sound all their own.

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Benjamin Gibbard – Former Lives: Album Review


The first challenge of properly absorbing Benjamin Gibbard’s first solo album Former Lives: separating the Death Cab For Cutie and Postal Service versions of Gibbard from the solo one. The new album is more gritty and acoustic than his former beloved gentle indie catalogue, true, but Former Lives needs to be experienced in its own right without any shackles of the past.

Featured

The Debut of The Retrospect


Hosted by idobi editor Eleanor Grace, The Retrospect is your trip back in time to before your favourite band broke up or released that mediocre fourth album. Tune in tonight at 7pm ET for the premiere and celebrate the best of the early 2000’s and late 90’s with classics from bands like Taking Back Sunday, Brand New, Thursday, Jimmy Eat World, The Used, and more. Only on idobi Radio.

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The xx – Coexist: Album Review


The xx’s second album Coexist feels a bit like floating aimlessly through space with no propulsion of energy in any particular direction. While some of the songs manage to maintain a simmering sensuality with Romy Madley Croft’s sweet voice delivering honest lyrics and enough repetition to elicit the feelings through heartfelt laments, most of the songs seem to remain unadorned and flat or build up to only thin air and the feeling that you’ve just barely missed out on the point.

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Sparks The Rescue – Self-Titled: Album Review


With their self-titled EP, Sparks The Rescue have taken everything that was great about their last album – the catchy lyrics, the progressiveness of their sound, that “get up and dance” attitude – and fused it with their old school style to create an unforgettable seven-track compilation sure to get you off your feet with their first independent release since parting ways with Fearless Records.

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Owl City – The Midsummer Station: Album Review


For his forthcoming fourth album The Midsummer Station, Owl City’s Adam Young did something he has never done before: he collaborated with co-producers, co-writers, and other artists. The album is a culmination of crisp, finely-tuned vocals, and explosive pop tunes that will delight the moment they hit.

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