Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the attempts to overturn the election.
I’ve been engaging in self-care through binging some brand-new Asian-fronted/Asian-created content for AAPIA Heritage Month. I hope you’ll join me!
Part one of the wonderful writer/producer Paula Yoo’s ‘Whachudoin’?’ conversation, plus we dig into the new American live action version of Death Note.
‘Okja’ weaves a modern fable, entwining us with quirky charm to ultimately pierce our apathy with an unflinching needle.
I’ve been on and off the road working for many different artists for the last ten years, and when work allows, I like to document my travels.
I’ve been on and off the road working for many different artists for the last ten years, and when work allows, I like to document my travels.
I’ve been on and off the road working for many different artists for the last ten years, and when work allows, I like to document my travels.
I’ve been on and off the road working for many different artists for the last ten years, and when work allows, I like to document my travels.
Yellowcard and New Found Glory are touring together this fall, with special guests Tigers Jaw. The tour kicks off October 8th in Arizona and runs through late November. Don’t miss it!
Thursday, March 19th I flew into South by Southwest this afternoon. Tonight, I strode 6th Street. amid the scene here in Austin. I felt a tension between, and within, the musicians, attendees, and the city. The dichotomy is an inclination toward indie values, opposed by the gravitation of commercialism. I realize this as I happen on IFC’s Fairgrounds, which features a music stage, interactive attractions such as a Velcro wall, and food trucks and a beer stand. It’s like a festival within a festival and it is a microcosm of SXSW. It’s an insular fantasy realm manifested by marketers and… Read more »
