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Marcio Novelli – It’s Not An Excuse, It’s A Reason: Album Review


With his debut LP It’s Not An Excuse, It’s A Reason, Marcio Novelli proves that great music isn’t written with intentions to impress the masses, but as a personal anecdote by the musician. Recorded in just two weeks and produced by Jim Wirt (Incubus, Jack’s Mannequin), Novelli’s debut is a revival of simple pop rock with meaning, the kind that has been fading out since 2005.

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Benjamin Gibbard – Former Lives: Album Review


The first challenge of properly absorbing Benjamin Gibbard’s first solo album Former Lives: separating the Death Cab For Cutie and Postal Service versions of Gibbard from the solo one. The new album is more gritty and acoustic than his former beloved gentle indie catalogue, true, but Former Lives needs to be experienced in its own right without any shackles of the past.

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Passion Pit – Gossamer: Album Review


Passion Pit’s Gossamer examines dark, haunting subject matters through infectious synthesizer-infused pop, resulting in an enigmatic yet enjoyable album. The deeply personal lyrics of singer-songwriter/producer Michael Angelakos intrigue the psyche and delve into the abyss of depression, heartbreak, and loneliness while electronic melodies soar playfully overtop.

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Metric – Synthetica: Album Review


Synthetica, the latest release from Canadian indie rock darlings Metric, offers a rejuvenating sound with an atmospheric element. The album delivers powerful anthems weaved into tremendous choruses that take the listener for a wild and exotic ride.

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The All-American Rejects – Kids in the Street: Album Review


It has been over three years since The All-American Rejects’ less-than-stellar release of When The World Comes Down, and they’ve finally offered fans a sign of redemption. An outstanding blend of traditional Rejects alternative style with a touch of experimental flair, Kids in the Street is bound to be a hit among new and old fans alike.

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