News
Film Review: Last Christmas
A Hallmark movie mixed with the forgettable drama Seven Pounds.
LISTEN
A Hallmark movie mixed with the forgettable drama Seven Pounds.
Danny Torrance returns to help a little girl who finds that ghosts aren’t the only things eager to devour those who “shine”…
In a place very much like our own, science, magic, and a little bit of “dust” set the stage for a young orphan who is destined to either save or burn down the world.
Grade: C+ Basically: A harsh slice of the truth about being Black in America. In reflecting on the Netflix adaptation of American Son, I’m reminded of a line from A Few Good Men, “you can’t handle the truth.” I’m not being glib. This one is all about hard truths. And by maintaining the four-actor, stormy night, one-room structure of the Broadway play, the film focuses you on its honesty in a way that may be hard to take in. Or, worse, easy to dismiss. But try not to do that. Playwright Christopher Demos-Brown and Tony Award® winning director Kenny Leon… Read more »
The idobi Studio had been draped in black & white, ready to entertain, the stage was set, carnival games and treats awaited: idobi’s Carnival of the Damned had arrived.
An old-style film noir that doesn’t know if it wants to be a film or a TV show.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week looks at some of the more conservative artists in the hip-hop scene.
This week: This Is Us, Mixed-ish, Emergence, Arsenio Hall: Smart & Classy, Castle Rock, Chicago Med, Stumptown, The Good Place,
Queer Eye: We’re in Japan!, VICE Investigates, Atypical, American Son, Titans
Welcome to the apocalypse—you’re late. By the time we meet Josh, the end of the world has already happened and he’s finally found his place in it (away from everyone else).
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down some of the best anti-authority anthems.
