Album Review: Sorority Noise – It Kindly Stopped For Me EP
We’d say our favorite sad boys are back—but we know better than anyone that this is about more than that.
We’d say our favorite sad boys are back—but we know better than anyone that this is about more than that.
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Nothing Matters is a record for your floor, amongst friends, to dream during its lows, and get up and dance during its highs. This is musicianship and songwriting at its finest.
The foursome known as American Authors are about to be much more than the soundtrack to Lowe’s commercials (where you might recognize their single “Best Day Of My Life”).
Disillusion is one of the most versatile records of 2013. O’Brother blend a multitude of genres and experiment with creative instrumentals and arrangements to artfully execute their self-defining sophomore record.
In her latest album Wheel, Laura Stevenson contends with the confusing and contradictory cycle that is life. Through artfully-composed folk songs, rife with prose and interwoven with irony, Stevenson captures the mystifying enigmas that plague us all.
Fresh from the golden state, Silver Snakes are joining a wave of contemporaries who are putting the rock back into punk rock.
Winds Will Change makes it apparent that although happy pop music isn’t what Beckett does best, he still has it in him to provide music with deeper subject matter and more impressive musicality.
It has been over three years since The All-American Rejects’ less-than-stellar release of When The World Comes Down, and they’ve finally offered fans a sign of redemption. An outstanding blend of traditional Rejects alternative style with a touch of experimental flair, Kids in the Street is bound to be a hit among new and old fans alike.
As a listener, if you’re expecting the same thing on I See Stars’ new album Digital Renegade as you heard on The End Of The World Party, you have another thing coming.