In an age where sometimes it seems that computers have replaced instruments and auto-tune has replaced voice lessons, from time to time it’s best to go back to the basics of raw simplicity – to show off your untainted, unrestricted talent in a stripped-down and intimate way. Joshua Michael Robinson’s Intentions does just that, combining powerful lyrics with modest instrumentals that really shine the spotlight on his distinctive voice.
Such Gold’s debut full-length Misadventures takes the problems everyone can relate to and turns them into gut-twisting melodic hardcore songs. Known for their catchy EP’s, this time around the band has dropped the sing-a-long choruses and traded them in for a more complex sound with the help of producer Steve Evetts (Lifetime, Saves The Day, Every Time I Die).
Infused with a resurge of energy, touching lyrics, and an obvious wave of newfound inspiration, Southern Air finally gives fans exactly what they’ve been waiting for.
Fang Island’s newly-released Major hovers somewhere between anthemic rock and gentle indie music, never quite defining itself strongly as any particular genre. The result is an album that simply slides over the senses, leaving a vague impression but failing to pack enough power to warrant repeated plays.
[imgfull] [/imgfull] Josh is broadcasting from the OhMyGod building in New York City with writer extraordinaire, Farren Krentcil. The two talk her career and play songs from The Vaccines, Lissie, and Givers. [Episode Removed, August 15, 2020]
A significant improvement on their debut release, Broadway’s latest effort Gentlemen’s Brawl is packed with contagious energy and an addictive sound that is bound to distinguish them in today’s music scene.
Back in 2011, Hawthorne Heights announced plans to self-release a trilogy of EP’s after parting ways with Wind-up Records. Now, the band have followed up with the second release of the trilogy, Hope, a softer compilation with a greater emotional spectrum than the first chapter.
Neon Trees’ sophomore album Picture Show serves up a slice of the ’80s with smooth synth-pop sound accenting its foundation of rock’n’roll.
With a debut release that plays like the musical lovechild of Copeland, This Day And Age, and Daphne Loves Derby, Author are perfect for both the nostalgic older crowd and a new generation of listeners who missed out on those bands’ golden years.
It has been over three years since The All-American Rejects’ less-than-stellar release of When The World Comes Down, and they’ve finally offered fans a sign of redemption. An outstanding blend of traditional Rejects alternative style with a touch of experimental flair, Kids in the Street is bound to be a hit among new and old fans alike.
