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OhMyGod Building


[imgfull] [/imgfull] Josh is broadcasting from the OhMyGod building in New York City with writer extraordinaire, Farren Krentcil. The two talk her career and play songs from The Vaccines, Lissie, and Givers. [Episode Removed, August 15, 2020]

News

Hawthorne Heights – Hope: Album Review


Back in 2011, Hawthorne Heights announced plans to self-release a trilogy of EP’s after parting ways with Wind-up Records. Now, the band have followed up with the second release of the trilogy, Hope, a softer compilation with a greater emotional spectrum than the first chapter.

News

The All-American Rejects – Kids in the Street: Album Review


It has been over three years since The All-American Rejects’ less-than-stellar release of When The World Comes Down, and they’ve finally offered fans a sign of redemption. An outstanding blend of traditional Rejects alternative style with a touch of experimental flair, Kids in the Street is bound to be a hit among new and old fans alike.

idobi News

Simple Plan’s Get Your Heart On!


Nine years after No Pads, No Helmets…Just Balls went double-platinum, Canada’s Simple Plan is back with their fourth studio album. With Get Your Heart On!, the band embrace the spirit that ushered five kids from Montreal into worldwide fame nearly a decade ago.

News

Dave Hause releases solo debut


Very often, the songwriter of a band will find himself writing songs and covering topics that do not fit in to the theme or feel of his current band’s sound.

Episode s07e03


Season 7, Episode 3. Discovering porn on the internet, broadcasting from Montreal. Music from Kanye West, The Streets, Steel Panther, and Weezer. Pat and Seb are getting ready for Christmas. Tom is working on the idobi App. Also, Tom my be occasionally lazy, but Patrick use to sleep with guys for free meals. True story.

News

New Politics delivers a mediocre first attempt


New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,” have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.

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