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Fall Out Boy's Sound Has Changed, But The Weirdly Long Song Titles Remain


Following the release of Fall Out Boy’s 2003 full-length debut, Take This to Your Grave, the Chicago quartet was flooded with hyperbolic praise. The group, which was signed by tiny independent label Fueled by Ramen, was declared the “next big thing” by multiple media outlets, and its album sold more than 200,000 copies. So expectations were high for the band’s major-label follow-up, From Under the Cork Tree, which came out on May 3 and will debut at #9 on next week’s Billboard albums chart. Some pundits predicted a groundbreaking pop-punk expedition, and others awaited a heart-rending emo excursion, but Fall… Read more »

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Hot Hot Heat: Don't Believe Everything You Read… In The U.K. Press


OK, so you know how we’re always telling you not to believe everything the U.K. press tells you? If you haven’t heeded our advice before, it might be time to start now. It seems some of the hacks across the pond had been sounding the death knell for our country’s favourite new wave party punkers, Hot Hot Heat. Not surprising since the Victoria quartet have been showered by U.K. praise since the release of 2002’s Make Up The Breakdown, but it seems the inevitable second phase to the build-em-up-chop-’em-down model started even before the Hot Hots released their much anticipated… Read more »

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Silverchair Singer's Comeback Aided By Dance-Music Maven


Even though it came out in Australia a year ago, the self-titled debut by the Dissociatives just hit U.S. record stores last week. The duo features former angsty teenage frontman Daniel Johns of Silverchair and dance-music maven Paul Mac – but the result isn’t what you might think. “Because of Paul’s background and my background, a lot of people expected it to be a dance-rock collaboration, which we’re trying desperately to dispel,” Johns said. “We’re not really fans of that genre.” Instead, they set out to make the perfect pop record. “Some people jokingly referred to it as a ‘happy… Read more »

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U2 Not Sweatin' To The Oldies On Upcoming Tour


If you thought digging deep in your wallet for some pricey U2 tickets guaranteed admittance to a career-spanning, greatest hits-style show – well, it may not be in the cards. The Irish superstars have been hiding out in Vancouver’s GM Place, rehearsing and readying to embark on their upcoming tour, but a fan website managed to get ahold of one of the band’s practice setlists and it’s largely composed of new material. Despite having more than two decades of musical goodness to draw from, the U2 rehearsal set heavily favoured their newer material. Of the 21 songs, seven came from… Read more »

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Star of Heavy Metal's Motorhead Still Outspoken at 59


Los Angeles – Academia’s loss is heavy metal’s gain. Ian Kilmister, a.k.a. Lemmy, the frontman for Grammy-winning English rock trio Motorhead, could have made a stimulating history professor, sharing his begrudging admiration for Goering and disdain for “bastards” like Hitler and Roosevelt with eager students. Instead, the 59-year-old achieved cult fame with generations of headbangers by singing and writing furious anthems like “Killed By Death” and “Orgasmatron.” But he remains fascinated by World War II and he spends his money collecting Nazi memorabilia, which is piled high in his two-bedroom apartment off the Sunset Strip. “I was born in ’45,… Read more »

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Hot Hot Heat's Ups And Downs Inspire


For the past year, Hot Hot Heat frontman Steve Bays’ life has been an endless stream of numbers: one departed guitarist, two epiphanies, 30 scrapped songs, 42 hectic studio days, 168 hours of tape, 365 nights between shows and 4,000 used T-shirts. And out of all that came one herky-jerky new record called Elevator, which, according to Bays, is about as appropriate a handle as any. “There were so many ups and downs that went into making this record. It was a manic period, and it was extremely stressful,” he said. “It was a year of tripping hard, a year… Read more »

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Motley Crue Kickstarts NYC's Heart


New York – There are several good reasons why Motley Crue didn’t play the halftime show at this year’s Super Bowl, and most of them were on display as the reunited ’80s rockers assaulted Madison Square Garden for the first time in 21 years. Having reigned as the Bad Boys of Rock ‘n’ Roll for most of the decade, the California quartet saw their decadence crown snatched away in the late ’80s by Axl Rose and Guns ‘N’ Roses. Motley’s own fortunes ebbed, the victim of substance abuse, supermodel divorces (drummer Tommy Lee managed to lose both Pamela Anderson and… Read more »

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Mars Volta's Conceptual Album Speaks Volumes


For an album about a mute, the latest Mars Volta opus sure has a lot to say. It’s a concept album of sorts, but since nothing with the Mars Volta is ever simple, Frances the Mute isn’t a concept easily explained. Not that the band won’t try. Instead of looking at the upcoming album as an idea, they see it as a character, a resurrected body based on the thoughts of a stranger seeking to find his adopted parents, written in a diary found by former bandmember Jeremy Ward (who later died in 2003) while working as a repo man.… Read more »

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Grammys Reward "Genius"


Ray Charles’ Genius racked up plenty of company in the form of gramophone-shaped statuettes. The late soul legend won a total of eight awards at the 47th annual Grammy Awards Sunday night, including Album of the Year and Best Pop Vocal Album for Genius Loves Company and Record of the Year for “Here We Go Again” with Norah Jones. Jamie Foxx, who is considered a lock for the Best Actor Oscar later this month for his portrayal of Charles in biopic Ray, took the stage with Alicia Keys for a tribute to Charles. Later in the show, Bonnie Raitt and… Read more »

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Previewing the CD's End


Classic-rock fan George Petersen doesn’t need another copy of Pink Floyd’s “Dark Side of the Moon” or Cream’s “Disraeli Gears.” He has spent the past four decades buying and re-buying his favorite music in a succession of new formats: vinyl, 8-track, cassette, compact disc, Super Audio CD, DVD-Audio. Enough is enough. The basement is full. “We as consumers have been trained by the music industry to go out and buy a new piece of plastic every few years,” said the 51-year-old Petersen, editorial director of Mix, a San Francisco-based magazine that covers professional sound recording. “Why do we keep buying… Read more »

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