The Wonder Years are releasing their highly-anticipated third full-length The Greatest Generation next week, and we’re stoked to be bringing you an exclusive in-depth interview with the whole band about the album and everything that went into it.
On their debut full-length, Turnover have turned down the rough pop punk elements of their early material, relying on melodic riffs, subtle hooks, and poignant lyrics to explore its dark themes.
As their comeback album, Save Rock and Roll is probably one of the most important albums in Fall Out Boy’s career. They have evolved into a slick, complex powerhouse of a band, and they prove it by unleashing all their talent on this new album.
Say What You Mean, the sophomore album from Brooklyn’s Allison Weiss, is sure to resonate with practically everyone with its relatable lyrics and folksy vocals.
Bleach Blonde’s self-titled first release is a 3-track EP that packs a punch in a short amount of time.
Priming listeners with a small taste of Laura Stevenson’s newest music, the Runner EP sets a smooth and relaxed tone to catch attention and keep it.
Indie rock has been growing exponentially popular in the mainstream, and newcomers Atlas Genius are sure to make their mark in the scene with When It Was Now. With smooth vocals, lush synths, and vivid guitars, this album is perfect for long drives or relaxing with your friends.
Seasoned indie rockers Fake Problems and up-and-coming punk band You Blew It! have teamed up to prove make their home state proud with the aptly-titled split Florida Doesn’t Suck.
Artist vs Poet’s latest effort Keep Your Secrets is a light pop album that perhaps should have been released in early May, as it is ideal summertime music.
Lost in a never-ending cacophony of American-inspired guitar squeals, hammering drum beats, and amped-up vocals, the third release from the Swedish-based Her Bright Skies is an angsty young adult power piece whose volume is fit for an arena but whose calamitous structure and predictable composition should be left in the garage.
