Into It. Over It. will release Intersections September 24th via Triple Crown Records. Click “Read More” for all the details!
Finch have announced the last leg of their What It Is To Burn US Tour. Dance Gavin Dance will be opening for them, and you can check out the dates by clicking “Read More.”
Melodic hardcore group Worthwhile is releasing their record Carry On Kid via InVogue Records this Tuesday, so to celebrate they are taking over idobi Howl and idobi Radio! During the hour, James and Luke delve into the band’s new record Carry On Kid to discuss concepts behind songs, the recording process, and of course play you all the tracks.
Waiting For The Dawn can go one of two ways: shuffled in with your summer CD collection to be blasted while driving down the highway, or excavated for a vastly deeper meaning. The album is conscientious in its commentary; always offering nuggets of wisdom and fresh ways to revamp your worldview for the brighter.
Geoff Rickly, of Thursday and United Nations fame, has released his second mixtape Darker Matter. It’s available on a pay-what-you-want basis. He’ll also be embarking on a west coast tour with Vinnie Caruana, and you can check out those dates and a blog about the mixtape by clicking “Read More.”
Disclaimer: Whenever, If Ever is a love/hate record. If you “get it,†you will be completely floored by its use of vast atmospheric textures and timbres, as well as its nostalgia factor. If you don’t, it will be a whiny, fragmented, enigmatic record that will be a struggle to listen to.
blessthefall will release their fourth album Hollow Bodies on August 20th. Click “read more” to check out the album artwork and track listing.
Forever Halloween digs deep to unearth some serious human truths – and sounds appropriately mature doing so. The album boasts worldliness in comparison to The Maine’s earlier catalogue, and it’s evident from the authenticity of the collection how effectively the members have channeled their experience of growing up into their work.
The newest release from Captain, We’re Sinking is a collection of desperate, too-close-for-comfort stories that are driven by unexpected instrumental complexities, troubled vocals, and pure punk grit.
The range present in Man Overboard’s third full-length Heart Attack epitomizes the fluidity of the term “pop punk,†making the album a must-have for anyone that considers themselves a fan of the genre.
