There’s no doubt that Cash Money Records has solidified its status as one of hip-hop’s most successful labels. With such acts as the Hot Boys, Juvenile and Birdman laying the foundation, Cash Money has since powered up a franchise that includes hot upstarts Drake and Nicki Minaj through its Young Money imprint.
Mike Ness is the sole remaining original member of Social Distortion, the southern California rockabilly punk band that rose to prominence during the 1980s.
The group turned June Carter Cash’s “Ring of Fire” into a staple of rock radio, and Ness’ hardscrabble youth inspired such hits as “Story of My Life” and “Prison Bound.”
Social Distortion’s first album in more than six years, “Hard Times and Nursery Rhymes,” recently debuted at No. 4 on the U.S. pop chart, the highest ranking in the band’s career. The road warriors will begin a U.S. tour in Albuquerque on Tuesday, and then hit Europe for the summer festivals.
Record-store owners owe Apple iTunes a tremendous debt of gratitude for being an uncaring, scatter-brained, inhuman little jukebox: It’s saving their skin right now.
The running narrative in the music world during the past decade is that the physical album is dead, and file-sharing, downloads and, most notably, Apple’s iTunes killed it. Yes and no.
If it’s still cool to like Good Charlotte, allow yourself to fall in love with this band all over again.
It began with a benign four-minute ferry ride through calm waters to a little-trafficked landmass in the Upper New York Bay, but Saturday night at The Beach on Governors Island proved to be anything but gentle.
The band mostly known for a cover of Lil Wayne’s “Lollipop†has released its sophomore album, and unfortunately the original tunes fall a little short.
Understated may have been the best way to describe Wednesday night’s performance at the Black Cat.
At the Grammy Awards on Sunday night (Jan. 31), Green Day gave the world a preview of the musical based on their 2004 album American Idiot.
NEW YORK – J.D. Salinger, the legendary author, youth hero and fugitive from fame whose “The Catcher in the Rye” shocked and inspired a world he increasingly shunned, has died. He was 91.
DETROIT – Amidst tough economic times and an ever changing music industry, not everybody can sell records like Lil’ Wayne. Mix in the rise of illegal file sharing and an over saturation of acts flooding the music scene, and it’s easy to see why bands can’t carry on, much less sell thousands of records.
