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Basslines and Protest Signs Part 54: Yeezus for President? Hell No!
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about musicians running for office.
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Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about musicians running for office.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Trump’s recent sharing of a video with a white supremacist message, on the same day as the BET Awards.
A little fight, a whole lot of fantasy, and a bubbly bit of wish fulfillment.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down the recent UK election results and shares some reactions from British artists.
The story behind the fall of Fox News creator Roger Ailes as he’s brought down by the women he harassed, Megyn Kelly, Gretchen Carlson, and others.
A lot can change in ten years: personalities, tastes, relationships. For Mayday Parade the last ten years have been a chance to grow as a band, explore new ways to entertain, and to connect with their fans. Which is why—almost exactly a decade after seeing them live for the first time—I’m sitting on a tour bus in Chicago, chatting with frontman Derek Sanders. We’re at the back of the bus. On one side of Sanders, guitarist Brooks Betts is fiddling around on a laptop, on the other, bassist Jeremy Lenzo pre-signs a stack of Sunnyland CDs. The window is cracked… Read more »
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down the history and influence of the Dead Kennedys.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week stands up in the defense of the Dixie Chicks.
Real talk—Quentin Tarantino has been Single-White-Female-ing Bruce Lee with his films since at least Kill Bill: Vol. 1.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Morrissey.
