Radio Uprising #43: Misplaced, Chipped Nail Polish, Erase Theory, 156/Silence
Radio Uprising showcases the greatest bands and artists that tomorrow has to offer, including: Misplaced, Chipped Nail Polish, Erase Theory, and 156/Silence
Radio Uprising showcases the greatest bands and artists that tomorrow has to offer, including: Misplaced, Chipped Nail Polish, Erase Theory, and 156/Silence
photos & words by Austin Spruill As the blistering summer of 2022 winds down into the cooler weather of fall, musicians and fans alike are treated to a number of high-profile festivals raging across the country, from Welcome to Rockville and Inkcarceration to Rocklahoma and Louder Than Life. However, few were as highly anticipated as this year’s incarnation of Blue Ridge Rock Festival, taking place from September 8–11. Hosted at the world-renowned Virginia International Raceway in Alton, VA, hopes were high for the relatively young festival, as the successes and challenges of 2021 propelled the event further into the spotlight… Read more »
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the history of rock ‘n’ roll and Cinnamon Babe’s song “Rock ‘N’ Roll is Black”.
Hello and welcome to Singles Lost in Time, where we dig through our library here at idobi (like monks sifting through historical texts) and we dust off some absolute bangers that never got their proper time in the sun.
What better way to kick off a weekend than with new music? Featuring new tracks from Mod Sun, Taylor Swift, The Juliana Theory, and more.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the response to the Biden/Harris win.
Wrong Generation goes hard right out of the gate with “BITE BACK”, guitars and crashing drums building into a headphone-shaking stomp in less than a minute.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Trapt.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about System of a Down.
“Callwood at the Cooler” sees Brett Callwood waxing lyrical about events in the news, pop culture and the etc. This week asks, can we separate art from crime?