Premiere: You’ll Love Something More’s New Track, Even If “It’s Not About You”
Forget your morning coffee, because we’ve got Something More. Today, we’re bringing you honest-to-Billy Joe pop punk in the form of a new recording from Something More.
Forget your morning coffee, because we’ve got Something More. Today, we’re bringing you honest-to-Billy Joe pop punk in the form of a new recording from Something More.
You know what they say about pictures and a 1000 words, but what about Polaroids? Well, we think they’re worth just a little more, especially when Tennis System is the one taking them. The DC turned Los Angeles band has been busy since their 2011 debut, and a day in their life is probably more exciting than anything you’ve done all month. So go ahead, dive into the indie pop world of Tennis System—frontman Matty T is serving up some of the band’s best memories and favorite places with a Polaroid camera. From their rehearsal space, to MDDN Studios, to their… Read more »
idobi photographer Audrey Lew spent the day with I the Mighty before their show at Webster Hall.
She Did It!, a superpowered team up of Geek Girl Riot and La Femme Collective, is here to shine a light on awesome ladies who didn’t always get the credit they deserved. First up: mathematician and NASA “supercomputer”, Katherine G. Johnson.
I’ve been on and off the road working for many different artists for the last ten years, and when work allows, I like to document my travels.
Ryan and Lauren are back to tell you even more about our favorite finds from Small Press Expo 2016.
Ryan and Lauren recap their time (and finds) at 2016’s Small Press Expo.
Read letters from our team as they say their goodbyes to Yellowcard, and listen to the band’s new track, “The Hurt Is Gone”.
When you think true-blue, rock’n’roll roots punk, you think DIY ethics. Whiplash inducing guitar work and gnarly vocals filled with passion (or resentment) have always gone hand in hand with flyering for your own shows, loading your own equipment, and making unfiltered music with no one’s opinion but your own.
Since GK first strutted onto the scene in 2004/2005 it has become a symbol, representing the look of pop-punk but also, unexpectedly, the sound of alt-rock. But last year, just short of a decade later, the journey derailed. Today, Glamour Kills is fighting its way back.