Search Results for: Patrick Stump

Fall Out Boy got political at their Mesa, Arizona “Believers Never Die, Part Deux” tour opener Friday night, taking the stage in dress suits and black eyes – and in frontman Patrick Stump’s case, a grey Donald Trump-like wig – as a commentary on the current state of corporate America. Video screens framing Andy Hurley’s elevated drum kit aired footage of riot police and the conservatively dressed bandmembers walking through a backstage area. Hurley appeared onstage first, fervently pounding away on his kit as two men dressed in police riot gear banged on drums for opener “Disloyal Order of Water… Read more »

Just what exactly does Barbadian R&B pop queen Rihanna have to do with the Super Bowl? About as much as Fall Out Boy. Yet there both acts were, playing to a hyped-up crowd on Thursday night at Tampa’s Ford Amphitheater for the VH1-broadcast Pepsi Super Bowl Smash show that served as the unofficial kickoff of Super Bowl XLIII weekend. The one-hour special, hosted for the second year by easily excited actor Jerry O’Connell and a series of NFL guests, kicked off with a mini-set from FOB. The band stormed out to play “I Don’t Care” with their new signature LED-flickering… Read more »

Fall Out Boy have become the latest rockers to take on the iconic Simpsons theme for an episode of the animated series. You can check out FOB’s metal-y version of the Simpsons theme on the FOX site now. “This is something we grew up with,” guitarist Joe Trohman said in an behind-the-scenes video (watch it above). “I know for me, my sense of humor and the way I perceive humor and the way I perceive a lot of things was based on growing up and watching The Simpsons, so to be a part of this for me is legendary.” Adds… Read more »

“Change will come,” Patrick Stump sings on “(Coffee’s for Closers),” a typically excitable cut from the new Fall Out Boy album. Considering that the Chicago band’s original plan to release “Folie a Deux” on Election Day, that lyric was likely intended as a tip of the hoodie to Barack Obama Now it plays more like an acknowledgement of the evolution of FOB’s sound, which since 2005’s breakthrough ” From Under the Cork Tree ” has taken on new complexities without losing the fist-pumping qualities that made Stump and his bandmates mall-punk superstars. “Folie” is easily the group’s most adventurous outing… Read more »

According to the Chinese calendar, 2008 was the year of the rat. But if you ask us, ‘08 belongs to a different animal: The Collabo. And no artists cross-pollinated more than Fall Out Boy’s Patrick Stump (he got down with Questlove!), Elvis Costello (he went emo!) and T-Pain (he was permanently attached to a vocoder!) Here’s your guide to this year’s most collabo-happy stars: Patrick Stump Collaborations: Gym Class Heroes; Tyga; Pete Wentz protégées the Cab. And Stump’s stamp was all over hip-hop – he teamed up with Ne-Yo (”Finish Your Food”), the Roots (”Birthday Girl”) and T.I. (”Out in… Read more »

Given Fall Out Boy’s penchant for publicity stunts (see this year’s nixed attempt to set a Guinness World Record by playing in Antarctica, followed by successfully setting the record for Most Interviews On Radio In a 24 Hour Period By A Pair of Two after talking to 72 radio stations), it should come as no surprise that the band celebrated yesterday’s release of Folie à Deux with a 36-hour New York promotional blitz that involved a nearly free show, performing on late-night TV and almost getting arrested. Over the weekend, Pete Wentz posted cryptic teasers on his blog for two… Read more »

Gotta hand it to Patrick Stump, Pete Wentz and company: The hardworking, blue-collar Midwestern pop-punkers-with-an-emo-attitude have gotten ever savvier and, dare I say, more mature with their songwriting and song-arranging. Consequently, “Folie a Deux,” (French for “madness shared by two”) may be one of the year’s most surprising albums. A tactfully produced (Neil Avron/Pharell Williams) affair that steers the Chicago-area band more toward the pop mainstream without sacrificing Fall Out Boy’s anthemic brashness, the band’s fifth album represents the zenith of its seven-year career. Some tracks — “I Don’t Care” with its “Spirit in the Sky” guitars and the zippy… Read more »

Before Fall Out Boy soared into the consciousness of the mainstream music world and Pete Wentz became a tabloid fixture, the Chicago-based band cut its teeth in dingy Midwestern clubs. Now, well-versed in pop superstardom and with a new album in the wings, the band returned to St. Louis last Tuesday for an intimate night at the tiny Creepy Crawl. The show was announced only a few days prior, and ticket sales were done day-of-show at the venue. Prior to doors opening, the line of patrons stretched around the building into a back alley, and those first in line were… Read more »