Every Time I Die will head out on tour in early 2013 with support from The Acacia Strain, Vanna, Hundreth, and No Bragging Rights. The band will hit the road starting Wednesday, February 6th in Chicago, IL and conclude the tour in Allentown, PA on March 16th.
Braid and Balance & Composure will release a split EP via No Sleep Records on February 26, 2013.
The Wonder Years will head out on tour in March with support from Fireworks, Hostage Calm, and Misser. Tickets will go on sale this Friday, Dec 7th at 3 PM EST.
For most artists, it may be challenging to recreate their favorite songs, but Young Statues have released a solid cover record that reflects their own originality and maintains the integrity of the artists that inspire them the most.
It’s time for First Person and that means the next hour belongs to new music. This week you can count on new tracks from The Zolas, The New Division, Local Natives, and more.
That quiet time between Thanksgiving and Christmas where you’re either pretending to work but are really shopping online, or studying for exams and can’t wait to take some time off. Josh Madden returns tonight with some brand new jams to tickle your ears. So take a break from rampant consumerism and gather some friends to check out the “next best thing”.
From Indian Lakes’ newest release Able Bodies gathers up all its sharp edges, gentle hooks, and vulnerable subject matters and ties them together in a beautiful package. The variation keeps each track interesting and memorable while still staying in line with the rest of the songs.
The Wonder Years release Sleeping on Trash: A Collection of Songs Recorded 2005-2010 through No Sleep Records on February 12th, 2013. The album consists of 18 tracks featuring various rarities, original demos, and cover songs.
Silverstein will release their seventh studio album This Is How The Wind Shifts on February 5th, 2013 via Hopeless Records. The band has also announced an extensive tour in support of the album throughout North America and Europe.
From the very beginning strains of the first song on The Broderick’s self-titled LP, the album’s compelling nature is apparent. The skillful lyricism combined with its simmering emotions make for a cohesive twelve-track set that never lacks enough differentiation to keep the entire album feeling fresh.
