Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the rise of the Delta variant threatening to shut down live music again.
If you are designing a new home recording studio, don’t forget to choose the right room, make it soundproof with ideal lighting, and invest in increasing home security with a commercial locksmith to help you keep your expensive new space safe. Electronic Technology The best technology for your home recording studio includes electronic equipment like a computer. A personal computer will be the primary resource you use for the recording process. It would be best if you had a new computer with a great deal of memory and processing power. Don’t try to rely on your smartphone or a tablet at… Read more »
Properties featured: Motherland: Fort Salem, Naomi Osaka, Miracle Workers, My Unorthodox Life, Gunpowder Milkshake, Never Have I Ever, The Walking Dead: Origins, Grown-ish, Schmigadoon!, Central Park, Space Jam: A New Legacy, Making the Cut, McCartney 3,2,1
What better way to kick off a weekend than with new music? Featuring new tracks from The Maine, BTS, Jonas Brothers, and more.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the return of live music.
Take a trip through time and space to a new rocked-out dreamworld with our premiere of Emily Wolfe’s new album Outlier.
What better way to kick off a weekend than with new music? Featuring new tracks from KennyHoopla, Bowling For Soup, Weezer, and more.
“What’s Going On” The present-day relevance of What’s Going On is an acknowledgement of the creative mastery of the 1971 album and a reminder of the stagnation of society’s moral compass in its movement towards “justice for all.” Marvin Gaye’s creative genius is on full display on vinyl through the musicianship that helped create what is known as the “Motown Sound.” By the time of What’s Going On’s release, he was already known as a ‘Motown Star’ based on a career on a meteoric rise—that rise for Motown, as a label, and Marvin, as an artist, took place during the… Read more »
I wish I had more bands filled with artists who look like me growing up, but I’m not letting that stop me from being that person for the next generation of creators.
One of them dies or they all die—how do they choose?
