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Neal Saini
Neal is an artist manager at Artist for Artist and he joins #WW to talk about labels, Long Island, and changing direction.
Neal is an artist manager at Artist for Artist and he joins #WW to talk about labels, Long Island, and changing direction.
A lot can change in ten years: personalities, tastes, relationships. For Mayday Parade the last ten years have been a chance to grow as a band, explore new ways to entertain, and to connect with their fans. Which is why—almost exactly a decade after seeing them live for the first time—I’m sitting on a tour bus in Chicago, chatting with frontman Derek Sanders. We’re at the back of the bus. On one side of Sanders, guitarist Brooks Betts is fiddling around on a laptop, on the other, bassist Jeremy Lenzo pre-signs a stack of Sunnyland CDs. The window is cracked… Read more »
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down the impact of Public Enemy’s album ‘It Takes a Nation of Millions to Hold Us Back’.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Propagandhi.
A timely, riveting thriller about the U.S. Senate investigation into the CIA’s Enhanced Interrogation Techniques in the aftermath of 9/11.
A millennial update of the classic concept of women super spies with a modern pop music flair.
A film based on a true story about best friends who want to make and drive really fast cars.
A guy tries to run game on a lady but he doesn’t know she’s actually playing him. Also, they old.
The idobi Studio had been draped in black & white, ready to entertain, the stage was set, carnival games and treats awaited: idobi’s Carnival of the Damned had arrived.
We discuss the new single, the direction of our new record 20/20 Vision and how it relates to today’s tumultuous political landscape.