Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about country musicians taking a political stand.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week shares some artists’ reactions to Kamala Harris being announced as Joe Biden’s running mate.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Misfits singer Michale Graves’ recent social media posts.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about musicians running for office.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Trump’s recent sharing of a video with a white supremacist message, on the same day as the BET Awards.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the Black Lives Matter protests and the response to it—both good and racist.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the Black Lives Matter protests and highlights some public figures’ thoughts on them.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Trapt.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Richard Marx.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the current obsession with Joe Exotic.