Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Trump’s recent sharing of a video with a white supremacist message, on the same day as the BET Awards.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the Black Lives Matter protests and the response to it—both good and racist.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the Black Lives Matter protests and highlights some public figures’ thoughts on them.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Trapt.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Richard Marx.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the current obsession with Joe Exotic.

I think it’s safe to say, “Holy shit!” In the two weeks since the last of these columns, our lives have changed beyond recognition, perhaps for the foreseeable future. Things that we took for granted, like going to the store, now take careful planning. Going to a concert, bar, or club is cancelled, for very […]

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Public Enemy.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about System of a Down.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week looks at each presidential candidate’s famous supporters.