Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about conservative musicians.

Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week talks about conservative punks.

Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week examines the rise of political punk in the US.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week’s topic is Rock Against Racism.

Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week’s topic is Jayne County.

Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week’s topic is black metal.

Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week examines the current state of Britain and its connection to Nazi punks.

Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week examines the rise of Riot Grrrl.

At the Grammy Museum on Monday May 6, members from The Bangles, The Dream Syndicate, The 3 O’Clock, and Rain Parade gathered, first for a collective Q&A session and then for a wonderful performance/jam.

Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week examines queercore.