Monsta X is making it a very Happy Valentine’s Day. Winter ain’t coming this February, monbebes, because the Monstas already rule the throne.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the 2009 battle for UK Christmas no. 1.
A lot can change in ten years: personalities, tastes, relationships. For Mayday Parade the last ten years have been a chance to grow as a band, explore new ways to entertain, and to connect with their fans. Which is why—almost exactly a decade after seeing them live for the first time—I’m sitting on a tour bus in Chicago, chatting with frontman Derek Sanders. We’re at the back of the bus. On one side of Sanders, guitarist Brooks Betts is fiddling around on a laptop, on the other, bassist Jeremy Lenzo pre-signs a stack of Sunnyland CDs. The window is cracked… Read more »
Legends who are born in blood still have beating hearts…
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the new UK prime minister Boris Johnson.
Stranger Things meets Independence Day but with no Fourth of July fireworks.
Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week examines the rise of Riot Grrrl.
Poetry x Science is the catalyst for true love but time doesn’t wait.
We’re here for Higher, Further, Faster but maybe not so fast.
Not every band can release a song on a Wednesday, then have everybody in the audience scream each word back at them live on the following Friday. And not every band can put together a festival in their hometown and bring in fans from around the world in the middle of January. But The Maine is not like every band. “We’ve been so fortunate and lucky to experience what we have,” says vocalist John O’Callaghan. We’re sitting in a building inside Civic Space Park in Phoenix, AZ on the second day of 8123 Fest. Through the windows, This Century plays… Read more »
