On Deck: idobi’s Latest Spins 1/7
All new music on idobi Network.
All new music on idobi Network.
A lot can change in ten years: personalities, tastes, relationships. For Mayday Parade the last ten years have been a chance to grow as a band, explore new ways to entertain, and to connect with their fans. Which is why—almost exactly a decade after seeing them live for the first time—I’m sitting on a tour bus in Chicago, chatting with frontman Derek Sanders. We’re at the back of the bus. On one side of Sanders, guitarist Brooks Betts is fiddling around on a laptop, on the other, bassist Jeremy Lenzo pre-signs a stack of Sunnyland CDs. The window is cracked… Read more »
New decade, new Who: Doctor Who is starting 2020 off with a bang and the new trailer is about to get you primed and ready for action.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week highlights Napalm Death’s album Scum.
All new music on idobi Network.
We’ll provide the new tunes. All you have to do is stop hitting snooze. It’s time to Rise Rock n’ Shine…
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Propagandhi.
All new music on idobi Network.
This week on The Gunz Show, we find Gunz doing what he does best – introducing us to our new favorite bands.
First up is Equal Vision Records’ Never Loved. Vocalist/guitarist Camm Knopp joins the show to reminisce on 2019, share their music plans for the new year, and talk about overcoming their recent van robbery.
Later, Florida’s Rational Anthem brings a little sunshine to the show. They chat with Gunz about their influences, blink 182, and their new collection It’s Only Permanent. Hear it all below!
Grade: C+ Basically: A harsh slice of the truth about being Black in America. In reflecting on the Netflix adaptation of American Son, I’m reminded of a line from A Few Good Men, “you can’t handle the truth.” I’m not being glib. This one is all about hard truths. And by maintaining the four-actor, stormy night, one-room structure of the Broadway play, the film focuses you on its honesty in a way that may be hard to take in. Or, worse, easy to dismiss. But try not to do that. Playwright Christopher Demos-Brown and Tony Award® winning director Kenny Leon… Read more »