In a captivating interview just ahead of his new album drop, Craig Owens takes readers and listeners on an immersive journey into the creation of his latest, Volume 1. With a career spanning over 20 years and connections to his iconic projects such as Chiodos, Isles & Glaciers, and D.R.U.G.S., Owens unveils the detailed process of selecting and reimagining 10 tracks from his illustrious discography. As he delves into the album’s concept and the emotional journey of revisiting his music, Owens shares the meticulous thought process behind each song choice and how the reimagined renditions breathe new life into his… Read more »
Leading up to the release of their sophomore album Reflections, idobi had the opportunity to sit down with Caskets’ frontman Matt Flood to delve into the band’s creative journey. Their debut album, Lost Souls, came to life during the pandemic, a time of uncertainty and innovation. Flood reflects on this period, discussing how the unexpected lockdown found the band in a shed recording everything on the debut collection. This experience, although unconventional, taught them valuable lessons in resilience and adaptability before venturing into their sophomore LP. Across Reflections, it’s evident that Caskets forged unity amongst themselves, allowing for a more… Read more »
Days To Waste conjures nostalgic beauty with the stunning new track “lilac”, all about understanding yourself and where you need to be.
Fat Nick may have made his name in the rap game, but now he is going back to his roots and releasing a pop-punk album.
Better Lovers played their first ever shows, two back-to-back, in Buffalo last week. It was absolute chaos, to say the least.
Spiritbox made their return to London for the first of two sold out night at the iconic Roundhouse, and showed precisely why they are the future of heavy music.
The Riot grrrl movement began in the early 1990’s at the forefront of feminism, punk music, and political commentary. It was a genre built out of anger, frustration, and rage entirely crafted by badass women. These women aimed to express emotions considered acceptable for male songwriters at the time, but far less common for women. Growing out of the Pacific Northwest but quickly spreading across the country, acts like Bikini Kill and Sleater-Kinney paved the way for many bands to come in the future. Speaking on topics like sexual assault, domestic abuse, anarchism, and female empowerment, the movement was much… Read more »
The Japanese House deliver the vulnerable ebbs and flows of heartbreak to delicate effect on ‘In The End It Always Does’.
Tyson Ritter continues to be one of the scene’s busiest people with the release of a solo track and a track with his project Sharpton Mann.
The Japanese House have shared the closing track from their upcoming album ‘In The End It Always Does’, and it is a true heartbreaker.