We sat down with Lydia frontman Leighton Antelman in Toronto to talk about their tour with The Maine, their most recent album, dealing with the pressures of coming back after their hiatus, and much more.
Celebrating their twentieth anniversary this year, Gainesville, Florida-based fathers of ska Less Than Jake have done it again. Over the past two decades, Less Than Jake have stood above the rest with unique vocals, instrumentations, and the ability to make a crowd dance, and they show no signs of slowing down with their latest EP, Seasons Greetings From Less Than Jake.
Sherwood has decided to call it quits after ten years and some fantastic records. The band posted a farewellstatement on their Facebook page; you can read the entire statement by clicking “Read More.”
Transit talks with Rock The Walls about their new record and the state of pop punk.
Record-store owners owe Apple iTunes a tremendous debt of gratitude for being an uncaring, scatter-brained, inhuman little jukebox: It’s saving their skin right now.
The running narrative in the music world during the past decade is that the physical album is dead, and file-sharing, downloads and, most notably, Apple’s iTunes killed it. Yes and no.
It may have come as a surprise to the die-hard fans when Yellowcard announced that the band were re-forming in August, with plans to record a brand-new album, to be released on a brand-new label, Hopeless Records, in March.
After losing a lead vocalist and drummer, many bands may decide to call it quits. For the members of Chiodos, giving up was not an option. Today, the band releases their third studio full-length album, Illuminaudio, on Equal Vision Records. On release day, idobi’s own Mike Skehan had a chance to chat with keyboardist Bradley Bell about the new album, replacing old members, fan expectations and more
Music lovers can now be immortalised when they die by having their ashes baked into vinyl records to leave behind for loved ones.
“Lost” may have just ended its six-season run, but one of the TV show’s stars is now immortalized on the new album by rock band Weezer.
‘We wanted a track that represented where the album was going to be and how it was going to work,’ says bassist Phoenix Farrell.
