LØLØ has been absolutely unstoppable over the last few years. Since 2019, she has been boldly developing her sound, sharpening her style, and bringing back old-school heartbreak. Taking the troupes of classic pop-punk, forcing them through a modern mesh and coming out the other side with music that pays tribute to what has come before as well as what is still to arrive, her journey is still only just beginning. She has released three EPs since she started taking her diary entries and putting them into songs, most recently 2022’s Debbie Downer. Working with Maggie Lindemann and girlfriends, touring with… Read more »
Mother’s Day is fast approaching, meaning it’s time to prep your brunches, order nice flowers, and make a sick playlist for your mom, grandma, older sister, and/or whoever had a hand in making you the rockstar you are today. While we can’t order an Edible Arrangement for you, we have handpicked our favorite tracks that honor all forms of motherhood and womanhood. Stereotypically, pop-punkers and modern rockers are associated with hating their hometowns and hurling all their angst at their parents. From twenty one pilots’ breakout single “House Of Gold” all the way to Miley Cyrus’ 2019 feminist anthem “Mother’s… Read more »
Following the release of their enthralling 2022 debut full-length Spiritual Ascension, Cherie Amour has returned with their touching acoustic rendition of “Love’s Not Your Thing.” Lyrically, “Love’s Not Your Thing” is a deeply personal and introspective track that explores the challenges of love and relationships. The acoustic version emphasizes the emotional weight of the lyrics with vocalist Trey Miller‘s delivery exuding honesty and relatability, which aim to convey a sense of vulnerability and self-reflection. The stripped-down arrangement allows Miller’s vocals to take center stage, delivering a captivating and heartfelt performance that captures the same lightning-in-a-bottle feeling as the original. Read… Read more »
Boundaries have shared a bold and brutal piece of classic 00’s metalcore brilliance in the form of “Armageddon”.
In a surprising move during the trio’s Detroit, MI performance last night (May 9), blink-182 played a snippet of Taylor Swift‘s 6x platinum song “We Are Never Ever Getting Back Together” following a performance of their own hit single, “Dammit.” The unexpected mashup is quite a tongue-in-cheek moment for the group considering guitarist Tom DeLonge’s return to the band in 2022 following his initial departure in 2015. The band’s playful rendition of “We Are Never Ever Getting Back Together” showed off their willingness to poke fun at the whole situation. While vocalist Mark Hoppus takes the lead on belting out,… Read more »
Geek Girl Riot is more theatrical than ever with Riotous conversations about Queen Charlotte, Aladdin the Musical with stars Adi Roy and Marcus M. Martin, and Schmigadoon! season 2.
Emo’s Not Dead is going to be setting sail once again for another cruise full of all your favorite scene bands, past and present.
The nerds have to address some things that have been floating around the news lately, and that’s cannabis and psychosis. We need to take this issue seriously and find out way more about both mental health AND cannabis, let alone how the two work together.
Canadian alt-rockers, The Beaches have dropped a brand new single today, “Blame Brett” and announced their forthcoming sophomore LP Blame My Ex due out September 15th. The new track is extremely cheeky to say the least. The Beaches give a new perspective to the break-up anthem by being equally parts funny, mournful, and scathing. They sing “So sorry in advance / Before you take off your pants / I wouldn’t let me meet your friends / I wouldn’t let me near your dad”. They continue with the line “Don’t blame me, blame Brett / Blame my ex”. Pretty hilarious right?… Read more »
Following the release of her debut solo single, Jen Razavi, the co-frontwoman of The Bombpops, has issued the accompanying music video for “Saw In Half.” Razavi‘s debut track, produced by Will Yip (known for his work with Circa Survive, Turnstile, and La Dispute), is a hauntingly atmospheric showcase that beautifully draws out her tenderness and vulnerability. Further cementing the line, “Lovely assistant to the stage/Here’s a trick, we call it heartbreak,” the cinematic visual for “Saw In Half” metaphorically analyzes a failing relationship comparing it to the toxic one-sideness between a magician and their assistant. Razavi is acting as the… Read more »
