Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Richard Marx.
Three tales about mundanity that grow infinitely more terrifying with a healthy dose of mystery, darkness, and things never conceived of in heaven and earth.
There’s something inherently off-putting about clowns—the creepy over-exaggerated smiles, the unnatural make-up—but they’re generally supposed to be a sign of fun and happiness. Which is why indie band Circa Waves decided clowns would be the perfect symbol for their upcoming release Sad Happy. “A clown was always an image we thought represented [the album] quite well,” says vocalist/guitarist Kieran Shudall. “Sad Happy is two stark emotions stuck together—I find clowns ultimately terrify people or make them really happy.” When I catch up with Shudall he’s sitting in his Liverpool home with a fresh cup of tea. “It’s very British of… Read more »
What better way to kick off a weekend than with new music? Featuring new tracks from New Found Glory, The Wonder Years, Derek Sanders, and more.
Free from the Joker’s protection, Harley Quinn has to find her own way, especially now that everyone she ever wronged has decided to settle their grievances with her.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about John Cooper Clarke.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Propagandhi.
All new music on idobi Network.
Los Angeles based pop-punk band Cat Like Thief stop by and chat about the history of how they came to be, the creation of their first single “Ferris Wheel”, and plenty more.
Welcome to the apocalypse—you’re late. By the time we meet Josh, the end of the world has already happened and he’s finally found his place in it (away from everyone else).