LIT calls in and talks about their upcoming album, as well as what it’s like to be a band still killing it after 10 plus years!
Exclusively on The Gunz Show, Soupy announced that tomorrow, a new pre-order is going up for a new Wonder Years release – a split 6″ with the band Stay Ahead Of The Weather, fronted by Into It. Over It.’s Evan Weiss. The release will be entitled Punk Is Dead. Get A Job.
The NY Post reports that Citigroup is close to the sale of record company EMI. The deal reportedly splits the company in to, with recording artists going into one, and it’s publishing arm sold separately in a deal estimated between $3.3 to $3.5 billion.
Need new music? Gunz is serving it up with his latest podcast. Whether you’re into alt rock jams that break barriers, or indie rock anthems, The Gunz Show has a band for you.
Last week, idobi contributor Ashley Holman had the opportunity to speak with three of the four members of Permanent Ability, a funk- rock band based in Los Angeles, California. Their latest EP, Bring It On!, debuted in 2010 and secured them the title “best band of the week†from rockitoutblog.com.
As expected, The Federal Communications Commission — by a vote of 3-2 — has passed the Net Neutrality rules pressed for by Chairman Julius Genachowski. The vote was held this morning in an Open Agenda Meeting at The FCC following a presentation called “Preserving The Open Internet.”
Avenged Sevenfold, Disturbed and more pegged as “criminals” in Kentucky campaign for County Attorney.
Sarah McLachlan’s performance Tuesday night at the Merriweather Post Pavilion was a curious mix of opportunities.
The Counting Crows, along with Augustana and hip-hop act Notar, made their stop in Windsor as a part of the “Traveling Circus and Medicine Showâ€. This is the second consecutive year of the tour, with Notar as the tour’s only newcomer.
New Politics ultimately sounds formulaic; it eventually lacks the initial pep that draws you into what this Danish band potentially has to offer. The songs are textbook from beginning to end; they are decent for what it’s worth, but there is no noticeable sheen in them. Many of the tracks, such as “Love is a Drug,†have their introductory moments of catchy beats or great bass lines, but that spark gradually fizzles.
