The melodic honesty of the words and emotions being conveyed throughout Sincerely, John the Ghost is palpable, and making intangible concepts become tangible is something O’Callaghan does well.
idobi staff have pitched The 1975’s latest album against their debut in order to help you decide for yourself: Team Black or Pink?
Their latest release Limitless begs listeners to avoid comparisons to past TA records, offering radio-ready hits like “Drive” and other seemingly reggae-tinged bangers.
Here’s to a less irritating 2016—this year, we got together all of our least favorite pop culture icons and begged them to please, please give us a break this year. They dominated in 2015, and we deserve some time off, or at least some serious attitude changes, dammit.
It’s pretty apparent that we’re writing to you from a time warp, because we’re certain it’s still 2008 even though we’re discussing the biggest moments of 2015. Anything that happened this year that had you happy, sad, or anywhere in between can probably be found below. Check out what our staff remembers most from 2015, then let us know what you’d add to the list on Twitter.
We gotta get down on Friday… to the brand new track from The Perfumes. You can too, because we’re premiering it right here, right now. Give “Mama Knows†a listen below!
Since the homogenization of South by Southwest by the mainstream, it has become fashionable among music critics and self-anointed culture commentators to dismiss music festivals as passé. They claim media conglomerates, bringing bloat, have diluted the musical variety which could be counted on at SXSW to make it palatable to general tastes. These observers conclude that the principles of independence and community that SXSW was conceived upon have been subsumed by the now ubiquitous forces of corporatization. Coinciding with this sentiment is anxiety among locals who cleave to an idealization of Austin as a bastion of open-mindedness and creative experimentation;… Read more »
We compiled a list of special artists we think rule and labels should be paying attention to.
2014 was a wonderful year for music, but it was also a wonderful year for forgetting that it was 2014. With so many of this year’s releases wearing their nostalgia for musical eras past on their sleeves, it seemed easier than ever to pick up a record that immediately whisked you back to the decade of your choosing despite being less than twelve months old.
Even if you’re convinced that a band changing their sound is the worst thing that’s ever happened to you, it’s perfectly natural for someone’s music to develop and shift from album to album. But every once in a while, those shifts are so dramatic that the early work ends up sounding like it was released by an entirely different band than the more recent material.
