A lot can change in ten years: personalities, tastes, relationships. For Mayday Parade the last ten years have been a chance to grow as a band, explore new ways to entertain, and to connect with their fans. Which is why—almost exactly a decade after seeing them live for the first time—I’m sitting on a tour bus in Chicago, chatting with frontman Derek Sanders. We’re at the back of the bus. On one side of Sanders, guitarist Brooks Betts is fiddling around on a laptop, on the other, bassist Jeremy Lenzo pre-signs a stack of Sunnyland CDs. The window is cracked… Read more »
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Otep.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week highlights Napalm Death’s album Scum.
Legends who are born in blood still have beating hearts…
A dope show it was! Rebecca Black co-hosted, Super Whatever stopped in, Seb Lefebvre gave away some tickets, The UMA called in and as an added bonus to the podcasted version of the show I threw in my interview with 90’s Kids!
This was definitely made to be watched when you’re full of hot chocolate and want a feel-good fuzz-fest you don’t have to think too hard about.
The story is better but the music isn’t quite as good…still #sisterhood and #findingyourself.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Propagandhi.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week highlights the importance of Anti-Flag.
Everything leading up to the Battle of Midway (including the attack on Pearl Harbor) and the battle itself.
