PHOTOS: Today’s Mixtape Festival Day 1
Photos from Day 1 of Today’s Mixtape Festival shot by idobi Photographer Audrey Lew. Featuring Hit The Lights, Such Gold, A Loss For Words, Hostage Calm, Neck Deep, Pentimento and more!
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Photos from Day 1 of Today’s Mixtape Festival shot by idobi Photographer Audrey Lew. Featuring Hit The Lights, Such Gold, A Loss For Words, Hostage Calm, Neck Deep, Pentimento and more!
Varying backgrounds, musical influences, and openness to mixing genres is what makes Diamond Youth really stand out, and the risks they take on their newest EP Shake pay off.
Although somewhat predictable, Imaginary Numbers is a highly impressive five-song effort that once again displays The Maine’s burgeoning maturity and musicianship.
The Los Angeles-based five-piece have put out a seven song EP that defies all expectations for a band that only formed a year ago.
Packed with colossal hooks and melodies, State Champs’ debut album The Finer Things stands out as one of the best pop punk releases this year and raises the bar sky high for the genre.
With Challenges, Farewell Fighter have easily picked up where they left off with their last EP and set out to make a better, stronger, and more complete set of tracks – which they have undoubtedly accomplished.
With classic-sounding guitar, easygoing vocals and lyrics, and undeniably catchy melodies, Abandon Kansas’s A Midwest Summer easily attracts any straightforward rock palate while embodying the feel of the vibrant and hot summers inherent to the Midwest United States.
[imgfull] [/imgfull] We’re truly #blessed to have First Person in our lives to introduce us to all our new favorite songs. This week catch Two Door Cinema Club, St. Lucia, Citizens!, Goldroom, and more!
Indie rock has been growing exponentially popular in the mainstream, and newcomers Atlas Genius are sure to make their mark in the scene with When It Was Now. With smooth vocals, lush synths, and vivid guitars, this album is perfect for long drives or relaxing with your friends.
From the very beginning strains of the first song on The Broderick’s self-titled LP, the album’s compelling nature is apparent. The skillful lyricism combined with its simmering emotions make for a cohesive twelve-track set that never lacks enough differentiation to keep the entire album feeling fresh.
