#004: Mike Fishkin
Fish from idobi Radio on cell cameras at shows and an inside view of Warped Tour 2016.
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Fish from idobi Radio on cell cameras at shows and an inside view of Warped Tour 2016.
Their latest release Limitless begs listeners to avoid comparisons to past TA records, offering radio-ready hits like “Drive” and other seemingly reggae-tinged bangers.
After working out the kinks with their EP “False Hope” in 2012, Feign comes back hard–seriously hard–with “The New World Order.”
Fort Hope’s latest self-titled EP might be some of the band’s best work to date as the trio finds a sound that suits them well and keeps listeners on their toes.
TEAM* have a score to settle with half-hearted indie music and prove they’ve got what it takes with their latest release Good Morning Bad Day.
The Menzingers have been exponentially improving as a band since the beginning, and their new album Rented World only marks another spike in that trend.
Varying backgrounds, musical influences, and openness to mixing genres is what makes Diamond Youth really stand out, and the risks they take on their newest EP Shake pay off.
Lighter Doses highlights the immense amount of thought and precision that Heartless Breakers is already putting into their music.
Liferuiner have decided to abandon their ties with old tracks like “A Ticket To The Pussy Crusher†and are trying to write honest, optimistic, and influential songs using key ingredients of melodic metalcore and straightedge hardcore: detuned guitars, predictable breakdowns, and lyrics pertaining to life’s inevitable struggles, hardships, and misery.
After releasing a few solid EP’s that teetered between emo and hardcore, Daylight have debuted their first LP Jar, defining their shamelessly 90’s alt-inspired sound.
